The video I have chosen to study is 'On Top Of The World' by Imagine Dragons. I have chosen this video as it has a strong narrative element, interjected with some performance. this is a useful analysis as it gives the opportunity to focus on a video with a narrative as ours will have, whilst also having an imposed element like the performance. as we hope to interject images of flames into our video.
The font colour change represents the time in the video. the white text represents the first minute in the video. and the red text shows 2:33 to 3:33.
The video has vibrant colours throughout the video, making it appealing. something which we can apply to our video to increase the repeatability.
Shot Type
|
Mise- en-scene
|
Duration (seconds)
|
Low Angle, Tracking shot.
|
Shot following a child on a tricycle, cycling up to a group of people
|
4
|
High angle, medium longshot
|
Young tricycle rider working his way through the crowd to see into
the shot.
|
5
|
Mid-shot zoomed into the young boy
|
Shot shows the boy reach the window of the shop, and look up and in.
|
6
|
Mid-Shot
|
Shows old TV with something forming in the screen
|
3
|
Medium Close up
|
Closer view of the TV screen showing the formation in more detail.
|
2
|
Medium Close Up
|
Man Facing the camera, putting his jacket on, looking over the camera.
Wearing smart clothes, in a well decorated room.
|
1
|
Mid-Shot
|
Man Kisses his wife and child goodbye. And leaves the shot.
|
5
|
Medium-Close up
|
Man starting his car and begins to drive off.
|
1
|
Eye-Level long shot
|
Man drives away in mustang, while family wave him goodbye.
|
4
|
Medium Close Up
|
Another man dressing himself in a close shot. This time putting a
headband on. This man is wearing ‘hippie’ clothes in a converted bus
|
4
|
Medium Long Shot
|
Hippie waving goodbye to his friends in a rural setting.
|
2
|
Medium close up
|
Female ‘hippie’ blows the hippie man a kiss goodbye
|
1
|
Establishing shot
|
Hippie getting into his car, similar to the first man did.
|
4
|
Medium close up
|
Another character sidles up to face the camera, this character
positions his cravat. ‘Texas’ attire in a house with a back wall covered in memorabilia.
|
3
|
Medium Long Shot
|
Again the character is positioned with his family before he leaves
the house.
|
3
|
Medium close up
|
The new character gets into his car just as the other characters
have.
|
1
|
Establishing Shot
|
2
|
|
Medium close up
|
Bearded ‘biker’ puts helmet on, whilst looking directly into the
camera
|
2
|
Mid shot
|
Biker puts clothes on, and starts bike, maintaining eye contact
through the camera.
|
5
|
Medium long shot
|
Biker drives through the frame in a rural setting.
|
2
|
multiple
|
Flash to tv screen again, and people watching it. Including the young
boy
|
5
|
Mid-Shot
|
All four characters walk through the frame on a zebra crossing, the
third character is bare-foot. A nod to the Beatles album cover.
|
6
|
Zoom Out
|
Camera zooms out of the telly. Showing the
characters putting the US flag on the moon.
|
5
|
Mid-shot
|
Happy crowd jump and dance at the shot of the
successful moon landing
|
4
|
Medium close up
|
Juxtopositioning of grumpy director to the
happy crowd in the previous shot. Making a joke of the fact the moon landing
has been staged.
|
2
|
Mid-shot
|
The man who looks to be funding the shot is
juxtaposed to the director. He is very happy. The director is not.
|
4
|
Mid-shot
|
Moon buggy is pushed through the shot and
‘astronauts’ jump for joy.
|
4
|
Close up
|
TV shows the original real footage of the
real moon buggy going around the moon.
|
3
|
Medium close up
|
Happy partner of one of the ‘astronauts’
watching the TV
|
1
|
Medium long shot
|
Astronauts shoot a synchronised golf shot
into the distance. Poking fun at the idea of a staged moon landing
|
3
|
Medium close up
|
The director clearly becomes increasingly
distressed the more the ridiculous things the characters do.
|
1
|
Medium long shot
|
Astronauts become increasingly sporadic.
|
2
|
Medium Long Shot
|
Helmets now partially removed, the astronauts
have become the band, and are playing the song on the moon landing set.
|
2
|
Medium close up
|
Shot of the lead singer singing into the
microphone
|
2
|
Mid Shot
|
People behind the camera begin to dance.
However the director becomes more disgruntled.
|
3
|
Close up
|
Space gloved hand playing the guitar
|
0.5
|
Medium close up
|
Shot of the guitarist singing along to the
song.
|
1
|
Close Up
|
Shot of the Bass being played by a space
gloved hand.
|
0.5
|
Medium close up
|
Shot of the bass guitarist singing to the
song. The band is appearing in the reverse order that they did at the
beginning.
|
1
|
CCTV shot
|
People rushing into the filming facility.
|
1
|
Medium close up
|
Drums being played
|
0.5
|
Establishing shot
|
Huge mass of women storming the filming
facility through a corridor.
|
3
|
Medium close up
|
Shot of lead singer singing into the
microphone.
|
0.5
|
Long shot
|
Group of women reach the set, which now has
low level coloured lighting, and begin to dance.
|
0.2
|
Medium long show
|
Lead singer looks confused as the group of
women breaks in, however does not stop singing.
|
1
|
Mid shot
|
Man funding the operation looks confused as
well, and gives the thumbs up to keep going. The director maintains his look
if general displeasure throughout.
|
3
|
Medium close up
|
Lead singer really goes for it.
|
1
|
Pan Up
|
The director get lifted up in his chair by
the audience. As he has done throughout the video this seems to cause him
mental pain.
|
3
|
Multiple
|
Shots follow showing the party, and people on
both sides of the TV dancing to the music.
|
10
|
This frame shows a character in the centre of the frame with other, taller characters positioned behind, and above the shot. something we want to repeat with the bailiffs scene.
The close up of the face produces a personal perspective look of the character, giving a background to build a narrative off.
The high angle shot can be used to give another perspective on a shot, something we can use if we need to increase the cutting rate of our video.
This shot is good for creating an atmosphere, something we can use when the character is coming home to find her home is ruins in our video. it has a powerful image as the character(s) walk towards the camera.
This performance shot is similar to what we want to accomplish, as it is affectively a filler shot which we will use to fill cuts in a running scene. however instead of an instrument we will show the image of fire burning. (in case of fire)






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